Makes sense, as his music – or more specifically, knock-offs of Sadeness - had been popping up in many Skinemax films throughout the early '90s. Cretu was approached to score the whole movie. Not quite at his Return To Innocence stage, then, but what can you expect for something made specifically for the Sharon Stone erotic thriller Sliver? And as it was produced between albums, it sounds more like a left-over from MCMXC a.D., utilizing all the musical tricks Michael Cretu turned into a global smash on such tracks like Sadeness and Mea Culpa: ethnic vocal sample, woodwinds, Sandra's whispery voice, heavy sexy rhythms. This was kinda'-sorta' Enigma's lead single going into their second LP, The Cross Of Changes, though existing as Carly's Song at that point.
0 kommentar(er)
